Happy Wednesday, folks. Very strange, sad news this week with the passing of David Bowie. As someone who has spent a significant amount of my life in the music business, I have a handful of friends who worked with the
Do you guys remember the Mighty Morphin Power Rangers? I do. Not well, but I remember them. My younger brother watched Mighty Morphin Power Rangers all the time. ALL THE TIME. And at that time, I felt I was “too old” to
Leaving Megalopolis was created by Gail Simone and J. Calafiore, colored by Jason Wright, lettering by David Sharpe Leaving Megalopolis: Surviving Megalopolis takes place one month after the events of the first Leaving Megalopolis series Simone and Calafiore had put
Happy New Year comics fans! I hope you all rang in 2016 with your loved ones and a glass of something bubbly in hand (I know I did). As of this month, I’ve been officially writing about comics for a
created by Eric Heisserer, Miguel Sepulveda, and Javier Mena Lone Wolf 2100: Chase the Setting Sun has an interesting take on the whole plague/epidemic survival. Instead of straight-up zombies, the infected have all mutated into goblin- or gargoyle-esque creatures referred
written by Paul Tobin; art by Joe Querio; colors by Carlos Badilla The story of Geralt, The Witcher, has been chronicled in a book series, three widely popular video games, and a graphic novel, The Witcher: House of Glass. His story continues
Dark and gritty with cinematic overtones, Victorie City throws us into grim, dangerous streets filled with strange, unsavoury creatures. It presents itself as something that could become absolutely terrifying without overwhelming the reader and promises a dark, gritty tale without all the bells
This week is what’s sometimes referred to as a “skip week” for comics—meaning, it’s the end of the year and there isn’t much coming out, so I figured we’d do something different this Wednesday. In my first year at Project-Nerd,
Happy Wednesday, comics fans. Today is the day before the day before Christmas, so I’m going to have to be a little brief (lots of family time to spend, old friends in town, and bourbon-spiked cider to drink with the
David Wohl’s Van Helsing: One Shot starts in London during the year 1844. The story opens with our narrator, Liesel Van Helsing welding in an underground workshop. During her opening dialogue, she gives new readers the opportunity to gain a
art by Josh Hood; written by Matthew Rosenberg and Patirck Kindlon We Can Never Go Home is gritty with a touch of realism, even though the ‘realist’ part is abolished by the fact that they have superpowers. Perhaps that’s what
Happy Wednesday, comics fans! Great news from Project-Nerd—the Barrens Kickstarter has ended and the book exceeded its initial goal by 73%! That’s amazing, and it really goes a long way towards allowing us to keep the series going beyond our
